Responses to Dream Girls by Camille Roy (Belladonna* Chaplet #2)

Amanda Bylone’s Responses to Dream Girls by Camille Roy (Belladonna* Chaplet #2)

Marfa

My man is a product of streets veiled in moss

and roads veiled in dust,

Whose face soft gold, I'll endlessly adore

Eyes akin to

apple moonshine, a sip of home's sweet blend

A tapestry we'll weave, Proud,

he stands, with love

for kin, nurtured on lichen covered lanes

Dusty roads his playground, where

dreams and realities cleave

Rough hands, yet tender, his touch,

a tender refrain.

He kisses me

like he is me,

his soul's devotion true,

Not solely for I,

but for the Divine above




January 20th

I wore this skirt when you spilled coffee on it

I remember when I put it on

a beige mini skirt with white piping I asked

“Have I worn this with you yet?”

“No…actually wait you may have”

As you wore the same wrinkled shirt

that you had been wearing the past three days






Repulsion 1965

When i was younger i chased a boy i liked

around a soccer complex

I also used to chase him

around the playground at recess

I have this fear that a lover will kill me in my sleep

While i'm dreaming

stabbing me with a knife

Or plunge me in the head with a hammer

Like that doctor who murdered his wife on Glendower Place

Once I went to a party and wrote a memo in my phone

of all the movies a guy recommended me

I watched one of them two months later

it was the worst movie I ever saw

The female protagonist's breasts were popping out of her shirt

every other shot

and the only words she spoke were quirky one liners

reminiscent of Eva green’s character in the Dreamers






LA Swan Song

Lost cherry her vanilla and vetiver

honeyed apricot and cinnamon

Cardamom rice and lime

All the lipstick lips curled and curlers and butter and flour

Sugary cocktails swirling and hair rollers

Restaurants wool paneling and red booths

murder mystery trilogy ill fated lives

lovers’ lies

you don’t have to prove it to your parents

you’ll never leave this town

so I have to



Saint Lucy

I met an angel on the train holding a script like a lifeline on the boulevard

In the realm of their hearts with veils so thin her amber liquid flows

Cocktails with cheap yuzu and elderflower syrup

weaving through the conversations

and the chime of glasses, fusing enchantment and disillusionment

a symphony of contradictions amid smoky streets

where dreams bleed with fractured screens.

under the pavilion at the park we saw a shooting star

time stands still, idleness atrophies

with one foot in before the collapse.

Rosemary, ivory, jacaranda

Marigold, the sun’s shimmer at dawn

It’s no marvel my muses converged with the noise of the world

echoing a chaotic stream

of gnostic sects.

Here, I am composed

where the edges of reality and fantasy convene.

The light here, gleams with such intensity

that colors yield, and all is enveloped in immaculate white,

bleaching memories within its sphere,

the city's essence frozen in the lens of photographs.

Injections in her heart’s void

needles without dopamine and norepinephrine

Indifference in her gaze with passion dimmed

Or expressions of passion in disdain

But a dance of darkness emerges

the advent of her god both ordinary and boring

even as her prayers etched in lipstick on her mirror.

between voluntary and involuntary is a

spectrum of being drawn in and letting go

You want something you lack it

If you didn’t lack anything you wouldn't desire it

Nature doesn't lack, it creates because it possesses

And nothing means anything unless you let it.

But her agony finds no audience in this impossible world

And her voice a forgotten melody that once adorned the very air

I have seen mountains in real life

and I am pretty sure mountains are not real

when Solomon said

"For with much wisdom comes much sorrow;

the more knowledge, the more grief"

he meant that knowledge is hell.

Too much understanding will kill something.

when Jeremiah said

“The harvest is past summer is over and we are not saved

He meant, “what hath god wrought, see what god has done.”

I was told I was too young to understand which thoughts were useless to me

And which thoughts’ threads weave purposeful strands.

And i can’t be a poet because to me poetry never ends

and i have a cavity that can only be filled by god

Perhaps other times exist that might possess greater beauty

yet the beauty of this instant is uniquely ours

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Everything Manual—Response to Everything Automatic (Belladonna* Chaplet #9)

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