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The Wide Road
Carla Harryman & Lyn Hejinian

2011 • $16.00 • 148 pages • ISBN: 978-0-9823387-4-2
Original cover
art by Nancy Blum
Pre-release: December 1, 2010
Official release: March 15, 2011

What would have happened had Thelma and Louise not driven off the cliff but stayed on the road? In Carla Harryman and Lyn Hejinian's picaresque novella, friendship lives on to follow eros through a polymorphic landscape where their fearless, inquisitive "we" encounters "hunger in two places at once."

The Wide Road was collaboratively composed by Carla Harryman and Lyn Hejinian between 1991 and 2010. The cover art was drawn for this manuscript by the artist Nancy Blum, and this first edition is printed with two different cover designs.

Read more about The Wide Road by clicking here.

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The Wide Road

THE WIDE ROAD

The Wide Road

THE WIDE ROAD

Chaplets

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PRICING:
INDIVIDUALS: $4 each, $6 signed
INSTITUTIONS: $7 each, $9 signed

Those listed in grey are out of print (O.O.P.)

135. Amina Cain (forthcoming)

134. Danielle Dutton (forthcoming)

133. Renee Gladman (forthcoming)

132. Carmen Giménez Smith (forthcoming)

131. Cecilia Vicuña (forthcoming)

130. Tsering Wangmo (forthcoming)

129. Body of Words

128. Eileen Myles
Dear Lia,

127. Bhanu Kapil
(a poem-essay, or precursor:
NOTES: for a novel: Ban en Banlieues)

126. Vanessa Place
Untitled #5

125. The Elders Series #8 ($15)
(purchase this on the left)

124. The Elders Series #7 ($15)
(purchase this on the left)

123. The Elders Series #6 ($15)
(purchase this on the left)

122. The Elders Series #5 ($15)
(purchase this on the left)

121. The Elders Series #4 ($15)
(purchase this on the left)

O.O.P. — 120. The Elders Series #3

119. The Elders Series #2 ($15)
(purchase this on the left)

O.O.P. — 118. The Elders Series #1

O.O.P. — 117. Kevin Killian
Wow Wow Wow Wow

O.O.P. — 116. Dodie Bellamy
Mother Montage

115. Kathy Lou Schultz
Biting Midge (Works in Prose)

114. Jean Day
Daydream (The Eponym)

113. Barbara Cole
from ear say

112. Elizabeth Robinson
Rumor

111. Fiona Templeton
Medea in Aia: Part I of the Medead

110. R. Erica Doyle
from Proxy

109. Stacey Levine
Susan Moneymaker, Large and Small

108. Maggie O’Sullivan
Windows Opening

107. Harriet Zinnes
IT IS AS IF

106. Jen Benka and Carol Mirakove
1,138

105. Jocelyn Saidenberg
Dispossessed

O.O.P. — 104. Evie Shockley
31 words * prose poems


103. Rebecca Brown
Always & Like This

102. Anna Moschovakis
The Tragedy of Waste

O.O.P. — 101. Patricia Spears Jones
repuestas!


100. Maureen Owen
from Working Papers

99. Laura Moriarty
Ultravioleta Documents

98. Deborah Meadows
The Draped Universe

97. a. rawlings
W I D E R

96. Margaret Christakos
My Girlish Feast

95. Kate Colby

from A Banner Year

94. Elizabeth Willis
All The Paintings of Giorgione


93. Laynie Browne
Desires of Letters

O.O.P. — 92. Rae Armantrout
Fetch

91. Marjorie Welish
Art and Language Writes an Epitaph

90. Sharon Mesmer
Vertigo Seeks Affinities

89. Dawn Lundy Martin

The Undress

88. Melissa Buzzeo

Near: a luminescence

87. Laura Elrick
Permeable Structures:
A Performance Essay in Stereo
(excerpts)

O.O.P. — 86. Myung Mi Kim

from Penury

O.O.P. — 85. Ann Lauterbach
from Nothing to Say


84. Kim Rosenfield

10 Perfumes

83. Kathe Izzo
Public & Private Love


82. Rachel Zolf
from Human Resources

81. Nathalie Stephens
You But for the Body Fell Against

80. Stacy Szymaszek
hyper glossia
Only a few copies left!

79. Mairead Byrne
Kalends

Only a few copies left!

78. Fernada Laguna, Gabriela Bajerman, and Cecilia Pavón; translations by Urayoán Noel
Belleza y Felicidad

77. Karen Weiser
Heads Up Fever Pile

76. Martine Bellen
NYC Stories / Lessons of the Microscopist

O.O.P. — 75. Lisa Robertson
First Spontaneous Horizontal Restaurant


O.O.P. — 74. Erin Moure
Befallen I


73. Monica de la Torre
Doubles: An Excerpt

72. hassen
Salem

O.O.P. — 71. Mercedes Roffe

Theory of Colors

O.O.P. — 70. Lyn Hejinian
Lola


69. Corina Copp
Play Air

O.O.P. — 68. Susan Howe
118 Westerly Terrace


67. Eileen Tabios
The Estrus Gaze(s)

O.O.P. — 66. Nicole Brossard
Matter Harmonious Still Maneuvering

O.O.P. — 65. Renee Gladman
Untitled, Woman On Ground

O.O.P. — 64. Joan Retallack
THE REINVENTION OF TRUTH


63. Latasha N. Nevada Diggs
Manuel is destroying my bathroom…

O.O.P. — 62. Rachel Daley
You and Me Story

61. Jaimy Gordon
A Month of Love

60. Belladonna* Bilingue

Women’s Work in Translation (v. 2)

O.O.P. — 59. Belladonna* Bilingue
Women’s Work in Translation (v. 1)


58. LourdesVasquez
May the transvestites of my island who tap their heels

57. Maria Negroni
Art and Fugue

O.O.P. — 56. Caroline Bergvall
GONG


55. Catherine Daly

Surplice

54. Nada Gordon
SOng of My OWnself

53. Joanna Fuhrman
Belladonna* Moraine

52. Susan Briante
Neotropics: A Romancein Field Notes


51. Jen Benka
A Revisioning of the Preamble

50. Leslie Scalapino
‘Can’t is ‘Night’

49. Veronica Corpuz
Unititled

48. Michelle Naka Pierce
48 Minutes Left

47. Anne Tardos
A Noisy Nightingale Understands
a Tiger’s Camouflage Totally


O.O.P. — 46. Minnie Bruce Pratt
The Money Machine: Selected Poems

O.O.P. — 45. Joan Larkin
Boston Piano

O.O.P. — 44. Julie Patton,
“Car Tune” & Not So Bella Donna

O.O.P. — 43. Summi Kaipa
from Was.Or Am.

O.O.P. — 42. Maggie Nelson
Something Bright, Then Holes

O.O.P. — 41. Elaine Equi
Castle, Diamond, Swan

O.O.P. — 40. Lydia Davis
Cape Cod Diary

O.O.P. — 39. Suzanne Wise
from The Blur Model

O.O.P. — 38. Eileen Myles
We, the Poets

O.O.P. — 37. Caitlin Mcdonnell
Dreaming the Tree

O.O.P. — 36. Alice Notley
IPHIGENIA

O.O.P. — 35. Lauren Gudath
Animal & Robot

O.O.P. — 34. Tonya Foster
A Swarm of Bees in High Court

O.O.P. — 33. Zhang Er
Cross River. Pick Lotus

O.O.P. — 32. Jennifer Moxley
The Occasion

O.O.P. — 31. Chris Tysh
Mother, I (fragment of a film script)

O.O.P. — 30. Tina Darragh
from rule of dumbs

O.O.P. — 29. Rosmarie Waldrop
Trace Histories

O.O.P. — 28. Bhanu Kapil
from The Wolf Girls of Midnapure

O.O.P. — 27. kari edwards
a diary of lies

O.O.P. — 26. Anne Waldman
[THINGS] SEEN/UNSEEN

O.O.P. — 25. Carla Harryman
DIMBLUE and Why Yell

O.O.P. — 24. Gail Scott
Bottoms Up

O.O.P. — 23. Jocelyn Saidenberg
Dusty

O.O.P. — 22. Norma Cole
BURNS

O.O.P. — 21. Deborah Richards
Put A Feather In It

O.O.P. — 20. Abigail Child
Artificial Memory vol 1 & vol 2

O.O.P. — 19. Lynne Tillman
from Weird Fucks & “Dead Talk”

O.O.P. — 18. Cheryl Pallant
Spontaneities

O.O.P. — 17. Lila Zemborain
PAMPA

O.O.P. — 16. Aja Couchois Duncan
Commingled : Sight

O.O.P. — 15. Adeena Karasick
The Arugula Fugues VII-VIII

O.O.P. — 14. Lee Ann Brown
The 13th Sunday in Ordinary Time / Reverse Mermaid

O.O.P. — 13. Nicole Brossard
The Neck of Lee Miller

O.O.P. — 12. Rachel Blau DuPlessis
Draft 43: Gap

O.O.P. — 11. Kathleen Fraser
Soft Pages

O.O.P. — 10. Lisa Jarnot
Nine Songs

O.O.P. — 9. Laura Wright
Everything Automatic

O.O.P. — 8. Mei-mei Berssenbrugge
Audience

O.O.P. — 7. Beth Murray
12 Horrors

O.O.P. — 6. Laura Mullen
Translation Series

O.O.P. — 5. Fanny Howe
from Indivisible

O.O.P. — 4. Eleni Sikelianos
from The Book of Jon

O.O.P. — 3. Cecilia Vicuña
trans. Rosa Alcalá
Bloodskirt

O.O.P. — 2. Camille Roy
Dream Girls

O.O.P. — 1. Mary Burger
Eating Belief


Marcella Durand

kari edwards: NO GENDER
Reflections on the Life & Work of kari edwards
Edited by Julian T. Brolaski, erica kaufman, and E. Tracy Grinnell

Original exterior cover art, "accumulation of absences," created for kari by Tanya Hollis
Original interior cover collage by HR Hegnauer
$18 • October 2009 • 204 pp. • 7" x 9" • ISBN: 978-0-9819310-1-2
Published in collaboration with Litmus Press • A Venn Diagram Production

kari’s authorial “signature” undoes the authorial body in favor of a visible obfuscation—strikethru: kari never just signed, but rather crossed out hir name and wrote “NO GENDER.” The erasure—well no, the palimpsestic remaking of the name into a symbol for the dismantling of enforced gender codes is a profound and provocative gesture—the name is still visible behind the NO GENDER, as if behind bars... kari’s genius moved others to their own words, art, action—following a mandate of reclaiming the very words we speak and write—writing our selves, our other(ed) bodies, into a foundational postgender post-genre state. This book is the start of what hopefully will be a much longer conversation.
—from the introduction by Julian T. Brolaski & erica kaufman

With contributions from Cara Benson, Frances Blau, Mark Brasuell, Julian T. Brolaski, Reed Bye, Marcus Civin, CAConrad, Donna de la Perrière, E. Tracy Grinnell, Rob Halpern, Jen Hofer, Brenda Iijima, Lisa Jarnot, erica kaufman, Kevin Killian, Wendy Kramer, Joseph Lease, Rachel Levitsky, Joan MacDonald, Bill Marsh, Chris Martin, Yedda Morrison, Eileen Myles, Akilah Oliver, Tim Peterson, Ellen Redbird, Leslie Scalapino, Michael Smoler, Sherman Souther, Eleni Stecopoulos, and Anne Waldman

kari edwards: NO GENDER is a Venn Diagram Production, which is the collaborative intersection between Belladonna Books and Litmus Press. This imprint actualizes our mutual commitment to publishing innovative, cross-genre, multicultural, feminist, and queer work by writers and artists working beyond and between borders.

Purchase NO GENDER for $18.

Purchase NO GENDER & Bharat jiva together for $33,
and receive free shipping on both books.


bharat jiva

Bharat jiva
kari edwards

Featuring original cover art by Frances Blau
$15 • September 2009 • 132 pp. • 7" x 9" • ISBN: 978-0-9819310-0-5
Published in collaboration with Litmus Press • A Venn Diagram Production

This writing is the New Brave. Few writers have so given in to the entropic forces that disentangle our bodies in the end, while at the same time furiously pooling social content into observable patterns. And there are thousands! Millions! Billions! In biological systems, DNA nucleotides are linked by enzymes in order to make long, chainlike polynucleotides of defined sequence. In writing, the sub-social is linked by signs that make ringlets of undefined sequence. Only we can make think to make thought from it. It cannot be conceived of in advance. It cannot be found on the web. No se vende ni se compra. edwards’s radical neo-communitarian impulse is something that’s blood-borne, but not bloody, something that’s keen & observant, but not oculocentric. Like Antonin Artaud, edwards sought to make Writing = Life.
—Rodrigo Toscano

Radical rishi poet-seer-sage kari edwards’s stunningly powerful and erudite essay-rant-manifesto-‘swarm of / messages’ calls a nation of docile bodies to account: ‘no more… protecting the audience from/exploding stigmatas, tracer bullets and the / shit of the dead.’ Deploying lyric thrust ‘to detonate the heart,’ blown bodies, categories and lines enact new ‘delicious fractal’ social contracts for reducing suffering in the body public/private and generating ‘growth in the sky of mind.’ Read this book and you’ll never go back.
—Rachel Zolf

Catherine Daly reviews Bharat jiva for New Pages.
May 1, 2010

Bharat jiva is a finalist for a Lambda Literary Award.
March 16, 2010

Read CAConrad's review on PhillySound: Mortified before kari's Bharat jiva.
November 27, 2009

Bharat jiva is named a Small Press Distribution Poetry Best-Seller
September / October 2009

Bharat jiva is a Venn Diagram Production, which is the collaborative intersection between Belladonna Books and Litmus Press. This imprint actualizes our mutual commitment to publishing innovative, cross-genre, multicultural, feminist, and queer work by writers and artists working beyond and between borders.

Purchase Bharat jiva for $15.

Purchase NO GENDER & Bharat jiva together for $33,
and receive free shipping on both books.


The Belladonna Elders Series
The Elders Series is a celebration of Belladonna’s 10th year in which each perfect-bound book
is an anthology and conversation between the guest curator and the elder(s) she hosts.

The Elders Series books have been selected for... The Best Poetry Picks of 2009
Selected by Bob Holman for About.com

"Emma’s unstoppable spirit is the nerve that drives [The Elders Series #4], that and her brilliant writing, her mind. To engage with this book is to engage the unknowable, yet to know a little tenderness of this artist in the making."
—Bob Holman and Margery Snyder for About.com

Elders Cover

E. TRACY GRINNELL &
LESLIE SCALAPINO

(sold out)

Elders Cover

BOB GLUCK &
SARAH SCHULMAN

Elders Cover

CHRIS KRAUS &
TISA BRYANT
(sold out)

Elders Cover

EMMA BEE BERNSTEIN,
SUSAN BEE &
MARJORIE PERLOFF

Elders Cover

ETEL ADNAN,
LYN HEJINIAN &
JENNIFER SCAPPETTONE

Elders Cover

M. NOURBESE PHILIP,
GAIL SCOTT &
KATE EICHHORN

Elders Cover

CARA BENSON,
ANNE WALDMAN
& JAYNE CORTEZ

Elders Cover

JANE SPRAGUE,
DIANE WARD &
TINA DARRAGH

Choose your Elders Series book - $15 each

Subscriptions to the entire Series are now sold out.
Please purchase individual copies to the left.


Marcella Durand
Area
Marcella Durand

$15


A wonderful book of presence where sentences point to new directions of meaning among planets, colors, mechanics, botanic and language itself. A new configuration of feelings and knowledge exposed in the most renewed poetical process of sensing life as it flows. A brilliant book about a new location for our notion of space and time.
—Nicole Brossard



Bergvall Alyson SingesAlyson Singes
Caroline Bergvall

Caroline Bergvall has emerged over the past decade as one of the most brilliantly inventive poets of our time, with an approach to acoustic performance that is nothing short of sensational. Alyson Singes overlays Chaucerian sound patterning onto contemporary sites; a dazzling, politically charged realization of diachronic vernacular, the old emerging from the new like mist from a deep fissure.
—Charles Bernstein

Letterpressed & hand-sewn
Limited edition of 75
Signed by the author

Sorry, this book is currently sold out.
Please check back for a second edition.


Lila Zemborainmauve sea-orchids
Lila Zemborain
Translated by Rosa Alcalá & Mónica de la Torre

$14

Listen: Lila Zemborain reads from mauve sea-orchids and is interviewed by Leonard Schwartz on his radio show, Cross Cultural Poetics.

Lila Zemborain brings into relationship the viscera of the body and the spill of the universe in tense compositions that blur distinctions between lyric and prose poetry, between science and eros. She banks imagination and memory against the seep of loss, the dull insistence of oblivion.
—Forest Gander

Attuned to "the rhythm of loveglands" Lila Zemborain's poems transmute verbal connections into a scent that "surpasses the sense of smell." A tactile sensation is released when the energy of the poem touches the reader "as if thousands of eyes were blinking in pleasure."
—Cecilia Vicuña

Lila Zemborain's mauve sea-orchids exhale infra-human sounds. Open them and, one revolution of cellular kisses later, find thousands of perception organs on your tongue. We are more than we think to say, primordial as the remaining seas, and these magnificent creatures are here to prove it. Alcalá and de la Torre's deft and calm translations offer a superb guide into the hanging gardens of a new, and very
old, poetic landscape.
—Jonathan Skinner

mauve sea-orchids is one of the most gorgeous, stunning and impressive feats of a poetry collection I've read in a long while.
—Eileen Tabios for galatea resurrects #9

Written entirely in the present tense, mauve sea-orchids narrates constant activity of minutia; reading this book feels like watching a nature documentary that takes place inside an organic body and slowed down just a second or two so that the movements of its simulated natural world become trance-like.
—Bonnie Jean Michalski for The University of Arizona Poetry Center

In Lila Zemborain’s mauve sea-orchids we are presented with a field of blurred bodies, pearlescent with longing and without barrier. There is no immutable inside or outside here except in the most exorbitant sense—everything is inside, and everything is outside. Or, more precisely perhaps, these bodies are not quite borderless but sensually dissected into permeable components that, propelled by love or desire, gingerly grope for each other in their ocean of blindness and vertigo.
—Marie Larson for Jacket Magazine #37

You can open [mauve sea-orchids] at random and every single page contains sinuous, luminous passages, which also often contain deeper meanings. . . Moi poetics: no need to deny the serpents the luminous flowers, for those blooms' fragrances are ferocious...!
—Eileen Tabios for The Blind Chatelaine's Keys


Carla Harryman
Open Box (Improvisations)
Carla Harryman
Featuring original art by Elizabeth Jameson

$12

GRNN alert just in—Joseph Cornell is doing the can-can over the delicious debris organization in Harryman's OPEN BOX. This dance of demi-characters—half half, semiquaver, three hooks quarter—places (a State) under an obligation not to maintain armed forces. Next up: removing oneself to another place; migration.
—Tina Darragh


Four From JapanFour From Japan
Kiriu Minashita, Kyong-Mi Park, Ryoko Sekiguchi, and Takao Arai

$14

Introduction and translations by Sawako Nakayasu
Additional translations by Cole Swensen, Ryoko Sekiguchi, Chet Weiner, Yu Nakai,
and Malinda Markham

Published in collaboration with Litmus Press.


Erica Hunt
Time Slips Right Before Your Eyes
Erica Hunt

$8

In this book, which begins with a love poem and is encased in sepia images of her blind ancestor standing next to an empty chair, Erica Hunt continues her rigorous and beautiful practice—unflinching, lyrical, politically astute, bodily-located, unpredictable language.



Akilah Oliver
The Putterer's Notebook
Akilah Oliver

$8

Part of an ongoing series of historico-political notetaking, this radical and incomparable poet continues to question subjectivity, identity, race, gender, geography, travel and the rest of the wrought contemporary landscape.



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